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Sarah Plotkin (artistic director) is a director, teaching artist, and puppeteer. With Electric Eye Ensemble she has directed Home in Motion: A Road Trip Play (WOW Cafe Theatre), Welcome to the Doll Den (Dixon Place / The Tank), and Earthrise (The Tank). She also co-facilitates the workshop series Artist Gym, a creation and creativity workshop for people of all ages. Sarah is a member of the 2016-17 SDCF Observership Class, a recipient of the Dorothy Stickney Scholarship for Women in Theatre, and a graduate of Sarah Lawrence College. Freelance directing and puppetry credits include The Juniper Tree (Dixon Place), The Digger (La MaMa ETC), Discrepancies (St. Ann’s Warehouse), Gravity Cannot be Held Responsible (La MaMa Puppet Slam), and Antigone (Castillo Theatre).

Julia Corrigan (managing director) is a choreographer and arts administrator. With Electric Eye Ensemble, she has worked on Welcome to the Doll Den (choreographer / dramaturg) and Earthrise (movement supervisor). She leads the Artist Gym Committee, a group responsible for the production and growth of Electric Eye’s monthly workshop series. Recent choreography credits include table show (The Tank) and PEER (Green Space). Julia is a graduate of Goucher College, where she was a recipient of the Phi Beta Kappa Brooke Pierce Award for the Fine Arts for her piece Really Is, Always Was and the Friends of Goucher Dance Excellence in Choreography Award for her body of work as a student.

Elsa Dial (company member) is a program administrator for Operation Conversation: Cops & Kids, a performance-based police–community relations model of the All Stars Project. She graduated from Wells College with a BA in performing arts, receiving the Helen Gertrude Dean ’25 Prize for Dramatic Expression.

Emily Johnson-Erday (company member) is an actor, singer, and composer based out of Brooklyn. She hails from North Carolina, where she grew up steeped in the Appalachian music that influences her music
today. Selected NYC credits: Helen Jenkins and the lead composer in Welcome to the Doll
(Electric Eye Ensemble / The Tank); composer for table show (EEE’s Artist Gym
 / The Tank); composer and lyricist for Entech: A digital musical (New York New Works
festival 2016); Saint Margaret and composer for Trial By Fire, a devised piece that intersects
the stories of Joan of Arc with the three collaborators and lovers of Bertolt Brecht (Columbia
Stages, Columbia University).

Joshua Langman (company member) is a lighting, sound, and projection designer, as well as an all-around theatre artist, teacher, writer, and graphic designer. He has worked with Ensemble Studio Theatre, the Castillo Theatre, Brooklyn Gypsies, Teátrica, The 52nd Street Project, the Jim Henson Foundation, the Between the Seas festival, Worry Noise Dirt Heat, Cidny Bullens, and many other groups. He teaches theatrical design at Talent Unlimited High School and has lectured and facilitated workshops on design at Carnegie Hall and other venues. Joshua is the lyricist on Electric Eye’s Welcome to the Doll Den. He has designed many Electric Eye productions and events, and also serves as the company’s visual identity designer. Joshua has a master’s in educational theatre from the City College of New York and a BA from Sarah Lawrence College.

Lizzy Ana Lincoln (company member) is a Brooklyn-based producer, actor, and improviser originally from Austin, Texas. She is the founder and a producer of Paper Kraine, a new works development night entering its third season run. Her production work focuses helping live performance foster conversations within its community, and making the theatre a welcoming home for everyone. After finding Electric Eye through Welcome to the Doll Den, she knew they were her artistic family. She works as a tutor and homeschool instructor, hoping that narrative can start helping students, and audiences, ask the right questions.
Select NYC credits include: Welcome to the Doll Den, Pomegrenade and Princess Anybody (with Ran Xia and
The Arctic), Dementia Americana (Soho Playhouse), A Doll’s House (Access Theatre), Coffee and Biscuit
(HERE Arts Center), and a turn as tween Kellyanne Conway at the Brick’s “This is Not Normal” festival.

Leah Ogawa (company member) is originally from Yamanashi, Japan. Leah is a puppeteer, actor, and
model based in New York City. She graduated from Sarah Lawrence College, where she fell in love with puppetry through her training with Dan Hurlin and Tom Lee. She has worked with incredible artists such as Hua Hua Zhang, Tom Lee, Nami Yamamoto, Phantom Limb, Loco 7, and Chinese Theatre Works. Her recent credits include Welcome to the Doll Den (The Tank), Dynamo (Target Margin), The Adventures of Seucy and Boto (La MaMa Experimental Theatre Club), Juniper Tree (Dixon Place), Dream of Land (Asian Arts Initiative), and Shank’s Mare (La MaMa Experimental Theatre Club). Her original work includes Molting (Center for Performance Research) and Rice (Drama of Works).